Could there have been anyone more gorgeous, more sumptuous, and more glamorous to a girl growing up in the ‘50s and 60s than Elizabeth Taylor,…read more
“Here it comes!” my husband said, as the wind slammed our hillside house and a storm of heavy, wet flakes descended on our deck. It felt as if the sky were turning itself inside out and then falling on top of us. Beautiful, yes; scary, just a bit. The furnace stopped humming and embraced silence as a spiritual path. The refrigerator subsided, muttering, then was quiet. All of the lights were snuffed, as if light itself were being hoarded within the bulbs until a better day presented itself.
We sprang into action. Luckily, we could dip buckets into a half-filled hot tub in the basement and haul them upstairs for flushing toilets. We got out the candles and the hurricane lanterns, one so old it barely worked, a relict from hurricanes during my own childhood. My husband ran out onto the deck and started piling wood into a leather carrier, lugging it indoors — along with a blast of wet, cold air.read more
When we think of the phrase “faith at work,” some conventional images might come to mind: a priest or nun caring for the poor, a…read more
There’s a side pocket on every suitcase for a traveler’s odds and ends: wrinkled train tickets, airplane sleep masks, and free hotel pens. It’s a…read more
From my high school students this time of year I often get a lot of questions like this: “Mr. H., why are we celebrating Halloween?…read more
The Way, written and directed by Emilio Estevez (Bobby) and starring his father, Martin Sheen (Apocalypse Now, The West Wing, The Departed), is rather obviously about the spiritual journey. The Camino de Santiago, called “The Way,” is a literal spiritual journey, a 1,000-year-old 500-mile pilgrimage route across the Pyrenees. The lead character Tom (Sheen) takes a physical journey to Spain and eventually on the Camino while also taking a spiritual journey starting with word that his son (Estevez) has died. Many of the other characters Tom meets along the way are on their own spiritual journeys, whether they are Camino pilgrims or not.
Despite being built around a religious pilgrimage, however, The Way is not a “faith-based” film; rather, it is a movie about a human story, and the human story. There is no preaching; there are no soppy scenes meant to tug at the spiritual heartstrings. Estevez’s writing reveals a sophisticated understanding of the beautiful brokenness of people, the glorious absurdity of it all. One of the overarching themes is how Tom gets thrown together with other pilgrims. Not only was it his intent to travel alone, but if he were to travel with others, these are definitely not the others he would choose. But it is precisely through struggling with each other’s imperfections that we are challenged, pushed outside our comfort zone, and, sometimes, forced to grow spiritually whether we like it or not.read more