Growing up, I always knew Dad’s side of the family was Polish. I knew we had a special affinity for sausages and cabbage, that we…read more
Lately, I’ve been considering teaching my son Matthew about the saints. At the big-boy age of 5, he’s surely old enough to become captivated by their stories. But then I realized that when you talk about the lives of the saints, you also have to talk about their deaths.
Therein lies the problem.
Not every saint had a gruesome death, of course, but quite a few of them did. And for a kid whose imaginative diet consists of nothing more sinister than the dragon that Harold draws with his magic purple crayon, I can hardly fathom telling him about St. Agnes, whose head was cut off, or St. Lawrence, who was literally grilled alive. My child already has an innate fear of the dark; I don’t need to tell him stories that will encourage it.read more
When people ask me why I serve as a Eucharistic Minister, I usually just give them the short version of the story: Because I felt…read more
Maybe it was one too many holiday dinner parties or those extra calorie-rich culinary treats that leave us feeling a bit more vulnerable to the…read more
From my high school students this time of year I often get a lot of questions like this: “Mr. H., why are we celebrating Halloween?…read more
The Way, written and directed by Emilio Estevez (Bobby) and starring his father, Martin Sheen (Apocalypse Now, The West Wing, The Departed), is rather obviously about the spiritual journey. The Camino de Santiago, called “The Way,” is a literal spiritual journey, a 1,000-year-old 500-mile pilgrimage route across the Pyrenees. The lead character Tom (Sheen) takes a physical journey to Spain and eventually on the Camino while also taking a spiritual journey starting with word that his son (Estevez) has died. Many of the other characters Tom meets along the way are on their own spiritual journeys, whether they are Camino pilgrims or not.
Despite being built around a religious pilgrimage, however, The Way is not a “faith-based” film; rather, it is a movie about a human story, and the human story. There is no preaching; there are no soppy scenes meant to tug at the spiritual heartstrings. Estevez’s writing reveals a sophisticated understanding of the beautiful brokenness of people, the glorious absurdity of it all. One of the overarching themes is how Tom gets thrown together with other pilgrims. Not only was it his intent to travel alone, but if he were to travel with others, these are definitely not the others he would choose. But it is precisely through struggling with each other’s imperfections that we are challenged, pushed outside our comfort zone, and, sometimes, forced to grow spiritually whether we like it or not.read more