The Way, written and directed by Emilio Estevez (Bobby) and starring his father, Martin Sheen (Apocalypse Now, The West Wing, The Departed), is rather obviously about the spiritual journey. The Camino de Santiago, called “The Way,” is a literal spiritual journey, a 1,000-year-old 500-mile pilgrimage route across the Pyrenees. The lead character Tom (Sheen) takes a physical journey to Spain and eventually on the Camino while also taking a spiritual journey starting with word that his son (Estevez) has died. Many of the other characters Tom meets along the way are on their own spiritual journeys, whether they are Camino pilgrims or not.
Despite being built around a religious pilgrimage, however, The Way is not a “faith-based” film; rather, it is a movie about a human story, and the human story. There is no preaching; there are no soppy scenes meant to tug at the spiritual heartstrings. Estevez’s writing reveals a sophisticated understanding of the beautiful brokenness of people, the glorious absurdity of it all. One of the overarching themes is how Tom gets thrown together with other pilgrims. Not only was it his intent to travel alone, but if he were to travel with others, these are definitely not the others he would choose. But it is precisely through struggling with each other’s imperfections that we are challenged, pushed outside our comfort zone, and, sometimes, forced to grow spiritually whether we like it or not.